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Vous avez sélectionné:
Not Meant To Be
Partitions à imprimer
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Meant To Be (feat. Florida Georgia Line)
Meant To Be (feat. Florida Georgia Line)
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Piano grosses notes
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DÉBUTANT
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Pop musique
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Bebe Rexha, Bebe Rexha &
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Meant To Be
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Hal Leonard - Digital
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SheetMusicPlus
By Bebe Rexha, Bebe Rexha & Florida Georgia Line, and Florida Georgia Line. This edition: Interactive Download. Pop. Big Note Piano. 8 pages. Publ...
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By Bebe Rexha, Bebe Rexha & Florida Georgia Line, and Florida Georgia Line. This edition: Interactive Download. Pop. Big Note Piano. 8 pages. Published by Hal Leonard - Digital
$3.99 ≈
3.57€
Quatre Poemes De Guillaume Apollinaire
Quatre Poemes De Guillaume Apollinaire
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Piano, Voix
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AVANCÉ
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Contemporain
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Clas...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95 ≈
8.02€
Meant to Be
Meant to Be
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Izzi Guzman
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Izzi Guzman
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Meant to Be
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Izzi Guzman
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.540393 By Izzi Guzman. By Izzi Guzman. Arranged by Izzi Guzman. Jazz,Latin. Score and parts. 96 pages. I...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.540393 By Izzi Guzman. By Izzi Guzman. Arranged by Izzi Guzman. Jazz,Latin. Score and parts. 96 pages. Izzi Guzman #150544. Published by Izzi Guzman (A0.540393). Meant to Be is a jazz Bossa-Nova composition inspired by the coincidental and uncoincidental happenings of life. No matter how much we realize it, everything is truly 'meant to be' in its own special way for everyone. Our lives are not perfect, but we learn and grow from the occasions that make it perfectly imperfect.
$30.00 ≈
26.87€
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.02€
To the Ends of the Earth
To the Ends of the Earth
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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David Lantz
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To the Ends of the Earth
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Lantz Choral Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1300075 Composed by David Lantz. Praise & Worship,Sacred. Score and Parts. 67 pages. Lantz Choral Publications #889842....
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Concert Band - Level 3 - SKU: A0.1300075 Composed by David Lantz. Praise & Worship,Sacred. Score and Parts. 67 pages. Lantz Choral Publications #889842. Published by Lantz Choral Publications (A0.1300075). Concert band accompaniment for use with the octavo by David Lantz III, published by Lantz Choral Publications. (Score and parts included.)Note: The SATB choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies of the octavo for your chorus. Octavo is available at Sheet Music Direct and Sheet Music Plus.Additional Note: This concert band arrangement is meant to be for a scaled down instrumentation.Instrumentation:FluteOboeBb Clarinets 1, 2Bass ClarinetBassoonAlto Saxophones 1, 2Tenor SaxophoneBaritone SaxophoneBb Trumpets 1, 2Horns in F, 1, 2TromboneEuphonium (Baritone Horn Treble Clef included)TubaTimpaniPercussion 1: Glockenspiel, Chimes (2 players)Percussion 2: Vibes, Xylophone (1 or 2 players)Percussion 3: Suspended Cymbal, Crash Cymbals, Triangle (2 or 3 players)Percussion 4: Snare Drum, Bass Drum (2 players)NOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.PERFORMANCE NOTE: Piano part, found in the octavo, is mostly optional, except for measures 73-95.
$70.00 ≈
62.69€
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.02€
Due Notturni II
Due Notturni II
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Chorale 3 parties
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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David Lantz
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Due Notturni II
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1398264 Composed by Wolfgang Amadeus Mozart. Arranged by David Lantz. Classical,Contest,Festival. 11 pages...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1398264 Composed by Wolfgang Amadeus Mozart. Arranged by David Lantz. Classical,Contest,Festival. 11 pages. Lantz Choral Publications #981539. Published by Lantz Choral Publications (A0.1398264). Due Notturni II is a follow-up to the popular Due Notturni, featuring two more of Mozart’s Six Nocturnes, originally written for 3 solo voices. These two gems for SAB voices work beautifully as a pair. The first, Ecco quell fiero istante (KV436) pairs up well with Due pupille amabili (KV439). These are flexible in that they can be performed with the provided piano accompaniment, a cappella, or with two different instrumental combinations available separately: violins I, II and cello, or clarinets I, II and bassoon (or other bass clef C-Instrument). Meant to be performed in Italian, these short pieces are lovely to sing and are great pieces to introduce your choirs to the language.Available separately:String trio accompaniment: Violin I, Violin II, Viola, (alt. for Violin II) and Cello – LCP0212Woodwind trio accompaniment: Bb Clarinet I, Bb Clarinet II, Bb Bass Clarinet (Bassoon, alternate for Bb Bass Clarinet) – LCP0213Related product: Due Notturni (with Se lontan, ben mio, tu sei (KV438) and Luci care, luci belle (KV346) – LCP0111(optional strings and/or woodwinds also available)
$2.55 ≈
2.28€
Due Notturni
Due Notturni
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Chorale 3 parties
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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David Lantz
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Due Notturni
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1246454 Composed by Wolfgang Amadeus Mozart. Arranged by David Lantz. Classical,Contest,Festival. Octavo. 8 pages...
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Choral Choir (SAB) - Level 3 - SKU: A0.1246454 Composed by Wolfgang Amadeus Mozart. Arranged by David Lantz. Classical,Contest,Festival. Octavo. 8 pages. Lantz Choral Publications #841140. Published by Lantz Choral Publications (A0.1246454). Intended use: Concert performance, Educational use, Community ChorusThese two gems for SAB voices work beautifully as a pair. The first, Se lontan, ben mio, tu sei (KV438) is on the slow side, in E flat major. The second, Luci care, luci belle (KV346) is faster, and a step higher, in F major, making for a wonderful “lift to the second part of Due Notturni. These are flexible in that they can be performed with the provided piano accompaniment, a cappella, or with two different instrumentalal combinations: violins I, II and cello, or clarinets I, II and bassoon (or other bass clef C-Instrument). Meant to be performed in Italian, these short pieces are lovely to sing and are great pieces to introduce your choirs to the language.String parts for Violin I and II, and Cello: LCP0112Woodwind parts for Bb Clarinets I and II, and Bassoon: LCP0113
$2.35 ≈
2.10€
Let There Be Peace On Earth
Let There Be Peace On Earth
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Piano seul
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FACILE
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Jill Jackson and Sy Miller
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Thomas Gunther
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Let There Be Peace On Earth
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1311927 Composed by Jill Jackson and Sy Miller. Arranged by Thomas Gunther. Christmas,Holiday,Spiritual. Score. 4 pages. ...
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Piano Solo - Level 2 - SKU: A0.1311927 Composed by Jill Jackson and Sy Miller. Arranged by Thomas Gunther. Christmas,Holiday,Spiritual. Score. 4 pages. Thomas Gunther Music Productions #900801. Published by Thomas Gunther Music Productions (A0.1311927). About the song and the arrangementThis is my solo piano arrangement of Let There Be Peace On Earth, one of the most powerful songs about peace ever written. I arranged it with the intermediate piano player in mind. Although is not particularly jazzy, it includes some jazz harmony and voicings. I think its beautiful melody benefits from clean voicings and an almost classical accompaniment style. Having said that, I included chord symbols so that jazz pianists can do their thing.I recommend to everyone who wants to learn it to also study the lyrics (who I didn't include with the sheet music, because it is after all a solo piano arrangement. Knowing the words will undoubtedly help with interpreting the music more adequately from an emotional point of view.About the technical aspects of this arrangementAlthough the arrangement sounds simple,  it poses several challenges. For example, it has a polyphonic element to it which requires the pianist to use the sustain pedal and make smart fingering choices. For this reason I included my suggestions for both. Please feel free to use your own.FeelThe arrangement is meant to be played very expressively. I suggest you vary the tempo and dynamics. Bringing out the melody is also very important.At last, I hope you will enjoy playing my arrangement and consider including it in your recitals. The call for peace is never a waste.
$7.00 ≈
6.27€
Some Things Are Meant To Be
Some Things Are Meant To Be
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Jason Howland
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Greg Mallett
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Some Things Are Meant To Be
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Greg Mallett
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.878996 Composed by Jason Howland. Arranged by Greg Mallett. A Cappella,Broadway,Musical/Show. Octavo. 5 pages. G...
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Choral Choir (TTBB) - Level 4 - SKU: A0.878996 Composed by Jason Howland. Arranged by Greg Mallett. A Cappella,Broadway,Musical/Show. Octavo. 5 pages. Greg Mallett #4595605. Published by Greg Mallett (A0.878996). From the musical Little WomenArranged for 4-part TTBB a cappella (alternate voicings may be made available if requested). Notated in the barbershop style (T-L-Br-Bs). Minimum purchase quantity enforced by ArrangeMe is 10 copies. Please ensure you purchase enough copies for your ensemble. Contact for complete list of arrangements and commissions: gsmallett@rogers.com.
$1.99 ≈
1.78€
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95 ≈
9.81€
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.02€
Swingin' to the Fishin' Hole
Swingin' to the Fishin' Hole
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Swingin' to the Fishin' Hole
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Happy Tuba Music Publishing
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SheetMusicPlus
Flute Duet Flute - Level 4 - SKU: A0.906643 Composed by Dr. Buddy Clements. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 20 pages. Happy Tuba Mu...
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Flute Duet Flute - Level 4 - SKU: A0.906643 Composed by Dr. Buddy Clements. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 20 pages. Happy Tuba Music Publishing #6012893. Published by Happy Tuba Music Publishing (A0.906643). A fun Flute Duet meant to be entertaining but also provide ample opportunity to showcase the considerable talents of the two performers through the use of various styles, extended ranges and extended techniques. In other words, just because its entertaining, its still a serious piece! This composition was inspired by Earl Hagen’s iconic theme from the Andy Griffith Show. I would like to express my heartfelt thanks to Flautist Extraordinaire, the incredible Sara Andon for her input and inspiration. Written with the Advanced Intermediate to Advanced Flautists in mind. This audio file does not actually replicate the extended technique precisely.
$10.00 ≈
8.96€
You Were Meant For Me
You Were Meant For Me
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Piano grosses notes
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DÉBUTANT
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Folk Rock
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Rock
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Jewel
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You Were Meant For Me
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.448406 By Jewel. Folk,Pop,Rock. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.448406). About Hal Leo...
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SKU: HX.448406 By Jewel. Folk,Pop,Rock. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.448406). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.68€
Bring Me To Life
Bring Me To Life
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Rock
#
Evanescence
#
Evan Terribilini
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Bring Me To Life
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Evan Terribilini
#
SheetMusicPlus
Small Ensemble Alto Voice,Bass Voice,Soprano voice - Level 3 - Interactive Download SKU: A0.529702 By Evanescence. By Amy Lee, Ben Moody, and David Hodge...
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Small Ensemble Alto Voice,Bass Voice,Soprano voice - Level 3 - Interactive Download SKU: A0.529702 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Evan Terribilini. This edition: Interactive Download. Rock. Score and parts. 9 pages. Duration 55. Evan Terribilini #12pJxhPk6n2CVjcJLe8sxj. Published by Evan Terribilini (A0.529702). Key: E major.A demo of my latest project; An acapella arrangement of Bring Me To Life by Evanescence. Meant to be performed by an SATB group with at least 5 members. Vocal Percussion not written in but suggested.
$19.99 ≈
17.90€
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95 ≈
12.49€
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
#
Richard Wagner
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Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95 ≈
8.02€
If Not Now, When?
If Not Now, When?
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Contemporain
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pa...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00 ≈
22.39€
Tonight You Belong To Me
Tonight You Belong To Me
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Piano Facile
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DÉBUTANT
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Patience and Prudence
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Calum Wood
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Tonight You Belong To Me
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Calum Wood
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1142820 By Patience and Prudence. By Billy Rose. Arranged by Calum Wood. Folk,Jazz. Lead Sheet / Fake Book. 2 pages. Ca...
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C Instrument - Level 1 - SKU: A0.1142820 By Patience and Prudence. By Billy Rose. Arranged by Calum Wood. Folk,Jazz. Lead Sheet / Fake Book. 2 pages. Calum Wood #736090. Published by Calum Wood (A0.1142820). Are you looking for the perfect piece of sheet music to capture the romantic essence of the classic song Tonight You Belong to Me? Look no further!Our music score for Tonight You Belong to Me is the ideal choice for anyone who wants to play or sing this beloved tune. Whether you're a beginner or an experienced musician, this sheet music is easy to follow and beautifully crafted, capturing the essence of the original song.With our music score, you'll be able to recreate the magic of the song as if you were transported back to the 1920s. The gentle melody and romantic lyrics are perfect for any occasion, from a wedding to a cozy night at home.What sets our music score apart is the attention to detail we've put into it. We've made sure that every note, every chord, and every lyric is accurate, so you can be confident that you're playing or singing the song just as it was meant to be.This music score is perfect for anyone who wants to capture the essence of a bygone era and share it with their audience. It's easy to read, easy to play, and a delight to listen to. Order your copy today and experience the romance and nostalgia of Tonight You Belong to Me like never before!Keywords: music score, sheet music, Tonight You Belong to Me, romantic, beginner, experienced musician, melody, lyrics, accurate, bygone era, nostalgia.
$1.99 ≈
1.78€
Glory to the Father
Glory to the Father
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Dorian Lopes
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Glory to the Father
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Dorian Lopes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927237 Composed by Dorian Lopes. Christian,Praise & Worship,Sacred. Octavo. 4 pages. Dorian Lopes #4623577. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.927237 Composed by Dorian Lopes. Christian,Praise & Worship,Sacred. Octavo. 4 pages. Dorian Lopes #4623577. Published by Dorian Lopes (A0.927237). This piece is my interpretation of the Latin traditional Gloria Patri text. The first verse is in English, and the second verse is in Latin. Both verses have basically the same music, but there are some rhythmic differences. It is meant to be sung unaccompanied, but there is nothing wrong with using piano or organ. It is an appropriate piece for a regular church service or a concert. Performance time is about 2:20 to 2:24.
$1.99 ≈
1.78€
Meant To Be (feat. Florida Georgia Line)
Meant To Be (feat. Florida Georgia Line)
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Guitare notes et tablatures
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FACILE
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Pop musique
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Bebe Rexha feat
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Meant To Be
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SheetMusicPlus
By Bebe Rexha feat. Florida Georgia Line, Bebe Rexha, and Florida Georgia Line. This edition: Interactive Download. Pop. Easy Guitar with TAB. 3 pages...
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By Bebe Rexha feat. Florida Georgia Line, Bebe Rexha, and Florida Georgia Line. This edition: Interactive Download. Pop. Easy Guitar with TAB. 3 pages. Published by Hal Leonard - Digital
$3.99 ≈
3.57€
"Hallelujah Chorus" for Brass Quintet & Timpani (to accompany singers)
"Hallelujah Chorus" for Brass Quintet & Timpani (to accompany singers)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Paul Ferington
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"Hallelujah Chorus"
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Paul K Ferington
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.982384 Composed by George Frideric Handel. Arranged by Paul Ferington. Baroque,Christmas,Easter,Sacred. Score and par...
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Brass Ensemble - Level 4 - SKU: A0.982384 Composed by George Frideric Handel. Arranged by Paul Ferington. Baroque,Christmas,Easter,Sacred. Score and parts. 28 pages. Paul K Ferington #6875411. Published by Paul K Ferington (A0.982384). A new arrangement of Handel's 1742 Hallelujah Chorus from MESSIAH created to accompany a choral ensemble; scored for 2 Bb Trumpets, Horn, Trombone & Bass Trombone (or Tuba) and Timpani, this arrangement omits much of the voice doubling found in brass arrangements meant to be performed without singers, and uses brass/timpani notation from the original Watkin-Shaw (Novello) and Tertius Noble (G. Schirmer) orchestra parts. Keyboard using the Watkins-Shaw or Tertius Noble editions is still needed as an accompaniment with these brass/timpani parts. Concert pitch is D Major to match the choral scores. .
$8.95 ≈
8.02€
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.02€
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Not Meant To Be
